with over 25 years in the game, andré galluzzi can respectfully be awarded the veteran badge of honour. a mark of experience and longevity for an artist who has, as they say, been there and done it all. today howeversees the german take on a new adventure, with his debut release for josh winks ovum recordings. as a dj, andré has held residencies at three of germany and the worlds most influential clubs - tresor, ostgutand berghain. been the driving force behind his own we play vinyl party. managed his own taksi (along side paul brtschitsch) and aras record labels and featured his own music on such highly acclaimed imprints as cocoon, cadenza, ostgut ton and highgrade. back in 2001, having released his seminal mix compilation, ‘im garten’, andré embarked on a new series of events that regularly saw him play intoxicating sets of up to 10-hours. the parties went by the name of submerge and those infamous dj sets have inspired his beautiful brace for ovum today. the metronomic kick drum of the title track introduces us to its immersive groove, whilst bubbling and elasticated fx vie for our attention, adding a sublime swing to submerge. on the flip, bold, by name and nature, ups the swing ante with its fierce acidic melody, shimmering hats and rasping snare. support from: josh wink, pan pot, joris voorn, dj hell, huxley, doc martin, till von sein, anja schneider, &me, catz n dogz and more!

marc antona has been always in the pursuit of new expressions within music as he has continually demonstrated with his work. following the jazz-infused adventures of the rattle snaps ep, he finally returns to his own turf to lay down another crucial exploration of beat science. hanging gardens is a masterclass in immersive programming, fusing the natural feel of live drums with crisp electronic tones that hover in a spacious mix. its the perfect angle at which to appreciate the subtlety of sound design that goes into every inch of marc antonas productions, teasing elements in and out of the mix so gracefully, its hard to tell where the joints are. the haunting touches of chords and lingering pad are deployed with poise, the intricate percussion progressively rising and falling throughout to create a truly immersive sonic journey. where the a side deals with angular rhythms and a shape-shifting atmosphere, unrestricted takes the sound palette of organic and electronic elements and feeds them into a rolling, technominded focus. the tribal thrum of the beat fills out an in-the room-ambience while the psychoactive synth flurries speak out the pulse of the machines. its a combination that makes unrestricted as intimate as it is exotic. in combining these disparate feelings within his tracks, antona once again brings a human feel to the technology, pushing the music into exciting new realms in the process.

axpin debuts with its ep „gilgamesh“, including three deep house tracks and a first floor remix of mastermind christian burkhardt (cocoon, oslo, cbsessions). it smoothly combines multifarious arrangements and arousing melodies with a forward pushing club sound. suitable for the dance floor as well as the afterparty at home, this ep transports the listener to a faraway world of subtle grooves, pushing drums and mesmerizing sound design. „gilgamesh“ is a track based on the story about the journey of an ancient emperor, searching for enlightenment in the highlands of mesopotamia. so it comes as no surprise that a driving beat breaks through the laid back percussions and hypnotizing atmospheres. wandering through this track side by side with mysterious pads and exotic sounds, a lost but defying melody accompanies the listener on his steps. „catiba“ is a track with a multilayered arrangement, that doesn’t necessarily reveal its complexity on the first look. different rhythmic moods provide the structure for two melodic lines, competing at first but working perfectly together after a thrilling break, melting your soul. they’re supported by a pervading deep bass groove that will make your body vibrate.&#8232,,christian burkhardt summarizes both tracks’ features and unifies them in an impulsive club remix that floats every second and climaxes in a thrilling break. dry but playful, perfectly fitting for the dance floor without losing the warmth and lightness of the original. „kryon“ is the ep’s third and most expressive track. starting with lost parts of a melody, rather an echo in the vast distance, the track continuously increases its tension, extending the rhythms until the arrangement blasts out a stunning break that, contrary to all expectations, is a calm and compassionate moment with a transient theme. the clear production provides a place in the mix to each sound, a deep moog bass rumbles in the basement while the stimulating percussion coats

there’s been little more than half a year since kess kill launched, but there’s no doubt the label ethos has come across with its glowing yellow and spidery, but ragged sharp, teeth bared.&#8232,, for the fourth release, german industrial heroine geneviève pasquier bites hard with four humor and personality filled industrial numbers. she rides the thin line of black humor with such grace that her pretentious peers are left with their leather trousers by the knees in her wake. &#8232,,&#8232,,special thanks to ant-zen for granting licensing rights. qu’est-ce qu’il fait chaud!

akbal music has now been turning out essential dance music for a whole ten years and to celebrate this milestone the label puts out a vinyl only release from a fine selection of contemporary artists. vinyl only treat starts from long time german talent sascha dive, the deep vibes boss’s ‘lab#4’ is a quick and prickly number that sucks you into a shady groove underpinned with real bass menace. next up is superlounge with uluwatu dub. the track starts swiftly with clever percussions and a lush pad quickly to progress with several drums rhythms into the bass that will keep the listeners tuned into its groove. romanian mano andrei appears with a sleek and stripped back tune that is full of electronic soul and infectiously bumpy drums and hypnotic vibes. finally minimal master eastenderz and catchrecordings associate doubtingthomas is next with his vinyl only offering, going for a much more intricate, synthetic, richly designed deep house tune that is soft, succulent and truly sublime. this is a fulsome package that packs plenty of punch and showcases exactly the sort of quality dance music that akbal music has been, and will always be, about.

house in motion kick things off with a v/a that navigates its way through house and downtempo grooves. a. m. limonata, roy blues and label head oliver francis all offer up eclectic and progressive tracks that feature driving basslines, soaring synths and infectious percussion.

sydney based imprint ken oath records lands with its official debut, a 100% australian va sampling the earthly delights of the country’s temperate south-eastern corner. ken oath hits the ground running with four slices of sun soaked house music from dj riggles, underground city loops, donald’s house and low flung. shuffling snares, lo-fi grooves, balearic rhythms and dreamy synths are all enclosed within.

although it is not really their debut, gt003 unveils a new stage for the sao paulo collective and its eponymous label on their global endeavours, be it for the chosen source of material they offer or for the regal remixer recruited to enhance its flavours: discosmic royalty prins thomas. delving into the grooves we find ourselves amidst rhythms that rely heavily on the hypnotic power of an infectious bassline, powered by some greasy fingering responsible for the type of gravy that makes brazilian cuisine world renowned. the flip is served by your balearic highness, designing one of his mind-bending journeys by turning the original flavours into a dense compound of molten polyrhythms and worldly spices. an earful of delights for anyone fairly interested in sensorial expansion with high concentration of musical content, what can easily be found when such diversity is sought after, as has been gop tun s mission throughout.

safer at night returns late january 2017 with the vinyl only release of the deep end , featuring two original curses cuts and remixes from ian blevins and holy ghost! safer at night founder curses launched the label back in 2014 and it has since gone to play host to material from eli esobar, walker & royce, jagerverb and of course the label founder himself. here we see curses re-release his composition the deep end marking the ten-year anniversary of its former releases on institutes in 2007, while enlisting ian blevins and holy ghost! on remix duties and stirring in a new original of his own as well. the original mix of the deep end takes the lead and offers a chance to revisit the decade old curses cut fuelled by wandering bass and lead guitar licks, dropped-tempo crunchy rhythms and murky piano chords all instilled with a gritty new york electro feel. holy ghost! then rework the original with the funk-laden feel via bright chord sequences, elongated delay swells and an amalgamation of 80 s synth leads, hooky bass lines and sporadic vocal lines. on the flip ian blevins offers up his interpretation of in shadows employing stuttering vocal hits, choppy arpeggios and droning bass leads to create an emotive and hypnotic number before curses original mix of in shadows closes on a cinematic vibe with an 80 s sci-fi soundtrack feel to perfectly conclude this vinyl only 10 year celebration.

with this record, new york trax furthers its mission of presenting to the world the upcoming talents hailing from the new york scene. new york trax 03 is the first release of the talented manhattan-based producer alex alben. the a side has irin and chimera, two very mean prime time techno bombs. kamikiri rounds up the ep with its relentless tribal beat and arpeggio that will cheer up even the darkest souls. only on vinyl!

continuing its conversation between the foggy environs of the pacific northwest and nyc’s thriving dance underground, blankstairs is thrilled to announce its newest release, dream city’s forward, a collaboration between s. deelay and c. perez (head of pdx’s consistently innovative pastel voids imprint).

resolute label returns after a short hiatus with a stellar selection of underground cuts by a fresh artist collective.to kick things off we have nightdrivers - mass prod & rufus - who bring us driving on the wheels of love , a track fuelled by house, techno, raw 808/909 drum programming and quirky edits. noha drops a highly percussive dance floor number full of swing and garage vibes as our a2 with resolution . on the flip, serialism records head honcho cesare vs disorder & tolga fidan provide a beautiful number in take 2 , with its infectious groove and beautiful strings. our b2 and vinyl only exclusive cut from jack on black - joe le groove and jib rafill - turns up the heat as a full on rolling techno gem, driven by distorted toms and crisp drums. its a sure shot dance floor winner.

christian gerlachís lanthan.audio features jeff derringer in its seventh installment, as well as two remixes from seasoned veterans shifted and giorgio gigli. the concept behind the label is the combination of music with architecture and photography, the consolidation of which creates a highly robust and powerful statement about music and art. this vision was born out of the desire to deliver a diverse product featuring innovative remixes from technoís most respected producers. jeff derringerís ëhuman moments in wwiiií is irresistibly fervent. both ëdepartureí and the epís title track are driving, acid-imbued, and deeply nostalgic of 90s electronic sensibilities. while shiftedís remix provides more hypnotic twists to an otherwise straightforward track, giorgio gigli lends the ep momentum and vigor, bringing the release to a robust and energetic close. human moments in wwiii adds dimension to an already dynamic and techno-forward discography, and derringer, shifted, and gigli are three amongst many compelling artists that the label has released since its inception last year.

after a very successful label launch last year with in aeternam vale - “self destruct” ep, linda records returns with another straight talking, analog fuelled 10”. this time welcoming aboard berlin based russian artist alexey volkov. his three track ep “cold blooded genius” comes finely presented on transparent red ten inch vinyl (limited pressing). whilst staying true to its current white label feel, this time linda s trademark eyes, also a fitting red. on the a side at 45rpm the title track “cold blooded genius” and on the b side two tracks will spin at 33rpm, “unfriendly nation” & “curtains of flesh”. we hate to categorise and attempt to summarise what these pieces of music craft sound like into words, we’ll leave you to indulge for a short time to the machine noise of the highly regarded talent that is alexey volkov.

lay down the groove presents its first vinyl only release -four on the floor-. amazing tracks printed with the personality of each artist including its colombian owners juan rms & technicalissues.

its been some 7 years since reggie dokes was last seen & heard on a wph release, so safe to say this one is long overdue. our detroit hero took a bit of a hiatus from music production in recent years, but he is back and has been cooking up some serious heat. on wph 004 one of the tracks received a slight edit treatment by fcl and so red d decided it would be a nice twist to do the same on this one. but seeing as san soda was globe-trotting again red d handled the edit duties solo. which is all academics really, because in the end its about reggies unique detroit sound. transpose & jazz is my mistress will appeal to any adventurous dance music dj because they cannot be categorized or compared to anything. they are reggie dokes tracks and reggie dokes tracks are what they are: reggie dokes tracks

following critically acclaimed releases from eduardo de la calle, refracted, and monomood, connwax returns with another exceptional offering of bold and original techno. for this release, they have enlisted the help of a rising young talent in berlins underground scene: akme. the producer and resident dj of renowned club, about blank demonstrates his uncommon technical precision and emotional depth with this debut ep, drawing on his vast array of influences and experiences across all genres. in elements, the bass drum takes centre stage. the engine room relentlessly driving everything forward. yet as the track develops, a fine lattice work of detail starts to unfold. meticulous percussive elements imbue the piece with an enigmatic depth as a sombre melody sweeps through the rough rhythmic landscape. we are allowed a brief moment to reflect before the bass drum continues its inexorable path forward. akme takes a more reduced approach in black matter space is left for the interplay between the understated acid bassline and delicate hi-hats to lock the track into a hypnotic groove. here, the statement is defined by what is left unsaid. for the final track concealing, ak

spell pets backwards to get step. spell step forwards and you get pets going back to basics. step is the new vinyl-only label from the founders of pets – catz n dogz, with a focus on the rawest forms and root functions of dance music. step searches for the fundamentals with under-theradar house and techno thats not afraid to be rough around the edges. its all about the music.

elliott thomas, aka etbonz, portlands prodigal son, touches down for the first time on loveon the rocks with my kinda future. etbonz, the lovechild of buckaroo banzai and thetalented ellen ripley, utilises the latest krystalvision technology over this eleven and a half minute opus to bring you to the edge of a future where maybe, just maybe, arnold didnt kill the predator.. where some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favourite head up against the barroom wall, looks you crooked in the eye and asks you if you paid your dues. where you cant even get to the chopper, because kurt russell is in the cockpit with a head full of acid, wearing a hat made of drum machines. should we check it out? or just check into a psycho ward? whichever comes first, huh? its a kinda future that leaves you asking yourself, if i am not me, then who the hell am i? am i prins thomas? what is a diskomiks? you ever fuck a mutant? tall guy, weird clothes. first you see him, then you dont. the best mindfuck ever!

los angeles based acid camp records launches now with its debut release, simics: corot-7b. the seattle-based artists full-length ep, features four original tracks along with a remix of the records single corot-7b by john tejada.

still riding high off the recent release of culoe de songs watergate mix we keep it coming with four exclusive tracks from culoe himself on our first ep of exclusives from the compilation. deadmans walk kicks things off with lush percussive grooves and luminous shades of euphoria resulting in a serene foray into enchanted destinations while the self titled ‘aftermath’ follows with a much more deliberate intent utilizing rich, rising harmonies and bold, rugged drums culminating in a massive sonic event. flipping to the b-side we see culoe dive into an energetic and unique space with ‘bang royales’ creating undeniably engaging rhythms with vocal chants and off kilter rhythms. rounding out the ep is juice and with its heavenly sounds of angelic vocals and soaring progressions is the perfect display of de songs signature sound and approach. were happy to present to you culoe de songs aftermath ep and think you will enjoy the trip into the mind of a truly unique artist.

on its third vinyl release dalmata daniel presents five originals of j.mono with an additional remix made by dj overdose. hailing from east-central hungary s small town lajosmizse, lori keresztes is the introverted songcrafter-synthjammer mastermind of the budapest based underground favourite wedding acid group trio.

re-issue on heavyweight double vinyl of this 1991 compilation with eurythmics biggest hits.

third ep on firescope records the new sub label of the legendary b12 records. this release is by b12, uk techno at its finest. established early 90s with a multitude of releases appearing on warp records uk, b12 records, soma records, delsin records, firescope records, art, buzz, de:tuned the ep entitled an eternal flame, is about love. love for self, a person, our planet, a planet. each track filled with emotion and hope

conceptual records presents you its second vinyl-only release -inspiratie- written by andrey djackonda, musical producer from moldova. andrey djackonda is known for its own style in music, named organic techno, compiled from the deep, warm sounding of the traditional deep synthesizers and soft yet dancing techno rhythms. this release makes no exception. the original track -inspiratie- and its remix from the argentinian talent alan castro are presented on a side of this ep. on b side you can find the original track -avioane de hartie- and its remix from the famous figure of the contemporary underground scene gorbani. mastered by pheek. cover art from the young moldovan artist anna ignatova. get inspired with conceptual!

temple of the jaguar is the first release on eomacs new label eotrax. a single sided pressing with an exclusive b-side etching by artist sal stapleton. an 11 minute conceptual track that attempts to explore structure and narrative, texture and tone, taking techno as a starting point, but seeking to move beyond its conventions and expectations. conceived on a visit to teotihuacan near mexico city, inspired by both the cosmic and earthly power of the place, temple of the jaguar attempts to find a way back to the animalistic nature within us all. a reconnection to the dark, sensual part of us that has been repressed for centuries in a limiting and limited, fearbased, patriarchal society. a reconnection to the body.a reconnection to femininity.a reconnection to wildness. to intuition. to sexuality.to earth.to self acceptance.without fear, without shame.

edit & dub keep pushing with volume 2 in the tee scott unreleased series. pay close attention and youll notice these are private dj versions that do not contain the main vocals of the original releases. these unreleased mixes focus on the hotness of the groove & never let it go! one-sided 12inch.

following 2014 s well received album for third ear under his :brownstudy alias, life well lived , jason hogans steps away from the mic to focus on an lp of flawless instrumentals. returning to production under his own name for the first time since carl craig s planet e label released his album peter and the rooster in 1998, the age of scrap belies its title to instead deliver a forward thinking record rooted in classic detroit, fused with futurist sonics and dope beats. hogans seamlessly combines strains of house, jazz and hip hop, as well as the futurist bass pioneered by the likes of la s brainfeeder collective, throughout seven perfectly formed musical excursions. tip.

this was mistakenly listed as being on random color vinyl. it is not. there is not and will not be any color vinyl. just black. azimuthal equidistant is a 3 track ep from hieroglyphic being & the configurative or modular me trio. the title track is a jackin phaser workout, while discotic compuserve is minimal bleep at its best and how far back is a contemplative lowbit riddim!

autofacs gonna be a new one to you, but the names behind it—juan maclean and marcus lambkin, a.k.a. shit robot—most certainly are not. the dfa house, disco, and techno veterans have long been friends, sharing bills around the world, vocalists on records, engineers on mixing boards. for a while now, they ve also been collaborating in the studio, and it s with tremendous honor that we get to be the label that presents the world with the fruits of their labors. souls on ice is a snarled, fierce, aggressive four-tracker, all of it recorded live, which gives it a distinct loopiness and patience. the ep starts off on a bumpin techno tip and slowly drifts towards a spacier, groovier house sound. charged and punchy, its the kind of dance floor kick in the pants only wizards like juan and marcus can deliver. key selling points. debut release by autofac, a production duo comprised of dfa veterans juan maclean and shit robot. full international press and dj promo campaign.

finnitus is back with its first 12- release! spanning the entire a side, superkind, consisting of rulefinn and kim durbeck, delivers a driving disco bass line, epic strings and screaming laughter, which the glue dubbed as the weirdest thing we ve heard in our entire lives . on the flip, rulefinn drops just try , a nine minute slow jam, slowly building to a climax worthy of finishing your perfect night at the club, and let the ok music play , an intense disco drum tool in his favourite bpm range(130s).

ike is no stranger to finale sessions at all with his release under the guise innerspace halflife with fellow producer hakim murphy, this time he flies solo under his real name ike release and we are proud to have him on board with this 10 inch release. so let s get to the music with the first cut called tangerines m it takes you for a ride with its rawness and it s thick pads and morphing keys and its wicked bassline. then we have track two called tungstun m we have another floor stomper with this one with its filtered pads and in and out synths just drooling with rawness. this i will say this is a perfect fit for finale select series

while many us producers from the second house wave of the 90s are looked at like demigods, others have remained partly in the shadows, and considerably underrated given their achievements. anthony nicholson is one producer who belongs to the latter category, but one which we ve been supporting since day one of juno. the man came to prominence thanks to a fruitful relationship with ron trent, and also to a whole heap of quality releases for known imprints like peacefrog, prescription, and nite grooves. this week, however, he s up on his own highly underrated circular motion, spear-headed by the excellent -miquifaye studio rewerk-, a tribal house groove with a deep, wondrous backdrop of synth exploration. -beat pad apella- is a jazzier piece of music, an enticing house chiller with plenty of musical nuances that bounce off its full, intricate groove. excellent - don t overlook this one...

by way of zagreb, croatia meet strahinja arbutina. his music is a mixture of noise, techno and industrial. add a 303 with an occasional memphis rap sample and you can start to describe his music. its not that simple, he also doesn’t shy away from hardcore and the absurd. whether pushing boundaries in his mixes or tape releases, you can be sure strahinja is going to be releasing quality music for years to come. highly recommended!

its june 2003, and the power trio of tony, halo & hipp-e have formed a supergroup under the guise the 6400 crew to unleash a 12-inch that would take the summer by storm. dubb me some tin fresh- quickly garnered support from the upper echelons of the dj community for its unrelenting groove and its unabashed tribute to the music of producers like lee scratch perry and king tubby. fast forward 13 years, and this single further cements itself in the history of yoshitoshi with a classic remix pack.

this is the first release of steady work by dear friends. based in heidelberg (germany) they catered the city and its music lovers with good music for the last ten years. dog patrol is a young mannheim (germany) based producer and a long term and very good friend to the steady work by dear friends crew. dog patrol delivered for this release warm and shaking house. he twisted but not dubbed over his raw and lo-fi sounding style to three crawling but thriving tunes, which easily fit and hit every dancefloor.

point of view continues its way with another beauty. the argentinian talent delivers 2 fresh tunes for point003…get your hands on this, vinyl only!

incl cristi cons remix
early support from barac and sonja moonear.
this ep by felix rupprecht is classical in the sense of truly dance oriented, yet contemporary in its quirks.

monologues records vinyl-only various artists series returns for its second volume with four hot trax. long-time deep house guru nail follows-up the successful re-issue of his classic 1996 album big d s lounge with an absolute bubbler in the form of decisions , all skippy percussion, woozy keys and slinky double bass

last year, music from memory released a brilliant retrospective of vito ricci. music for amiga is riccis first vinyl record of original music in decades. this project was made on the commodore amiga (with its infamous sound chip) composing all the pieces on music mouse laurie spiegels pioneering software from the mid-80s.

infektion is back in the catalog with some next level hypnotism. the 4 cuts are crafted with surgical precision. the art of hypnotism at its finest.

the name tochno, russian for “precisely” speaks for itself, being a hardcore, pure and at the same time straight-to-the-heart minimal techno music producing firm.
tochno is the product of a long gestation of its creators. waiting for the right time to get on the stage, it will bring minimal techno to the levels they deserve with a no-bs attitude and hours of top quality beats.
tochno won’t bring you the latest and shiniest plastic puppets of the market. we have gathered real artists, throbbing with desire to divulgate their music and they will do so in a way you won’t forget. and it’s not just the attitude, our music comes on vinyl only. you won’t find any material for talentless time wasters here. only analog music to be handled by expert and loving hands.
early support from mamiko motto, glenn astro, ame, pathaan (bbc worldwide), jamie george (rinse), b traits, charlie tee (kiss), jodie wisternoff, damian lazarus, tensnake, anushka, dam swindle, claptone, dubfire, iron curtis, breach, auntie flo, matt karmil, edmondson.... and jamie xx

eshu records hits release number ten with a new ep from the in-house production collective made up of jocelyn abell, ivano tetelepta and daniel lekatompessy. fraktur features six tracks of stripped back house and techno that are all atmospheric and heady. opener winter track is a smooth and rolling dub techno number that is grainy and economical yet hugely absorbing thanks to its circling synth details and woody drums. creating moods is even more expansive and spacious, with gently swirling pads enveloping a soft, broken rubber kick drum. the title track is another expertly distilled, dry and heady groove with its frayed edges and warm analogue feel, then hello really flips the script with over driven jeff mills kicks and intergalactic synths bring a spooky sci-fi feel to proceedings. yorubaland is then a cosmic ambient interlude with fax tones bleeping and blipping as lazy pads smear out in the background and last of all core comes on strong with more quick and slick intergalactic techno carrying you off to some distant planet. this is another faultless ep from this fine dutch collective. pressed on 180 grams vinyl.

irrgang is the highly anticipated debut album of ossian ohlsson s vit fana project. representing a new generation of experimental musicians from scandinavia pushing the limits of contemporary industrial music, irrgang is the culmination of a process perfected over several years. while the comfortless drones, ear-piercing noise bursts and razor-sharp synth work may be the album s backbone, the signature trademark of earlier vit fana recordings is present in ohlsson s haunting vocals and the subtle hints of brutal beauty. a highly personal musical statement, irrgang stands with one foot firmly rooted in the tradition of early industrial noise music, while effectively creating a grotesque universe of its own.

creme organization s jericho one label continues to set a fine agenda with its fifth ep, this time from dj plant texture aka dona basile, who also releases as dona and given. this is only his second ep under this alias, and is one that again marries breakbeats, techno and electro into electrifying new forms. things kick off with maybe sometimes , three minutes of brutal old school rave. maybe sometimes (2_3 psymono mix) is then a heavily filtered and stripped back version of the same tune that is brilliantly weird and otherworldly. lello from sda then picks up the pace once more with reversed stabs, slamming drums and rubbery bass all cut up with yelping vocals and dusty breaks that take you right back to the early 90s. on the flip, gargantuans is on a deeper and more trippy old school flex with bright pads and gurgling bass taking you higher, then cyclone (tribute to the 90 s) is just that with its frenzied drums, filters and euphoric breakdowns all run through with street fighter samples. d_one then ends the trip with a bit of ambient electronics, with odd sine waves and sharp sound designs placing you in an unhinged world.

nights get ever colder. the label owned by paris stalwart d’julz welcomes back an old friend in anonym, the man responsible for bcr006 and bcr021 returns for a four-track outing which includes a remix from orlando voorn. sultry atmospherics and masterful production are evident throughout this crisp new addition to the bass culture catalogue, another instant classic from the detroit badboy anonym.the first of the four tracks on this ep goes by the name of ‘castaway’, and its effortless groove will have you drifting away to a desert island the second you hear it. as a slightly obscured vocal repeats ‘castaway’ over and over, you’re lulled into a dreamlike state. simple and highly effective, its progression is subtle and invigorating. right after that we have dutch supremo orlando voorn taking charge of the remix and pushing the track deeper into celestial territory with flashes of synth that transport you out into the cosmos. the atmosphere of the original is expertly retained, with a steady pace and cool, mellow vibes throughout. flip the record over and there are two more killer cuts. first we have ‘doin it to ya body’, which keeps things minimal and straight to the point. bright disco strings lie at the heart of this track, slowly weaving their way in and out of the background while the drums and rugged b-line keep your feet moving and head bopping. lastly, ‘wara coco’ offers more hypnotic vibes drawing you with its dainty melody, dancing around the top end, while a mean bassline throbs away, deep down in the low end. it’s an strong combination and finishes off the ep in style.

a fistful of wax is an extension for some very special projects of our beloved deep house skylax records’ sub – label wax classic. for this 3rd release, we give you the opportunity to grab 4 fantastic trax done by some of the best deep house producers at the moment.a1 is done by some hot new guys straight from minsk s80 & overture “what’s up”.a2 has been made by kid mark “got to know” who released some hot tunes with nick beringer through swink music.while on the b side we have also 3 bomb tracks featuring first on b1 rosenhaft “ccmf” who’s done some tracks for 124 recordings too.b2 is done by the great alexander moralez & house of kotu “suffer” who is completely hot right now, throwing up parties in st petersburg, this track is clearly a pure deep house anthem.b3 and last is mike lee aka love island “a feelin’” in a an ibiza balearic house stylethose tracks are all firmly rooted into the deep house sound.they never settle into one comfortable, predictable groove. its heady, emotion-rich grooves include warm, melodic two-step and future garage flavas, dubwise slo-mo grooves. it s eclectic, no doubt, but thanks to those guys warm production and heavy deep vocals, this release will put your hands up in the air marvellously

heisenberg starts 2017 with a carefully selected 3 track compilation. all tracks are tested and approved on the deepest floors! as usual its vinyl only! no digital release, promos or shares! 180g. blue-transparent vinyl. a1 comes from the rising german artist reyam and u better keep an eye on this guy! b1 made by our homies adjustment bureau, guys already released vinyls at pleasure zone, hypertone, body parts and more. full b-side goes to jamahr & riciar ghir and for their long waited track >indisponente<.

since its beginnings, fracture has followed the formula of releasing upcoming and interesting newcomers, people they believe in, to get them remixed by more established artists. this time its none other than uk techno legend james ruskin stepping up to the task, for a track carefully crafted by berlin based artist leiras. leiras comes from madrid, and has in the last few years since his move to germany released a handful of eps, mostly on his own ownlife imprint. abyssal is a trippy and atmospheric cut, the kind of deep techno that can transport you into a second state if dropped at the right time. on remix duty, ruskin makes it weirder and grittier, slowly and skillfully building the tension from atmospheric to potential peak time material.